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Pauline Higgins is a woman of mature years. She was born in the state of Michigan. She moved, with her husband and small son, to the state of Tennessee. She graduated from Carson Newman College, with a minor in Art, on the day after her son graduated from high school. She has a Master of Science from the University of Tennessee. She is also an Enrolled Agent, licensed by the federal government, in Tax Preparation.

While in Tennessee she attended the workshops in Enameling and Jewelry at Arrowmont school of arts and crafts in Gatlinburg receiving college credits. After doing copper enameling for several years, she moved to California and studied oil painting. In Virginia she studied colored pencil painting with Joan Folsum and acrylic paintings with James Warrick Jones. She also studied portrait painting with Kristina L. Havers at the Peninsula Art Center. Last December Pauline attended the John Campbell Folk School in N.C. studying Copper Enameling .

Although she loves painting portraits, she has come full cycle and is back doing copper enameling.

ENAMELING

Enameling is one of the oldest arts in the history of man. Enameling on metal is not difficult. However, it is an exacting art which demands careful attention to such details as cleaning, application and firing . To most people the word “enamel” means resinous paint for decorating kitchen chairs, brightly colored lacquer for a lady’s fingernails, a superior automobile finish or the outer covering of our teeth. To the artist, enameling means only one thing - the process of applying a thin coat of glass to a metal which, when heated to a high temperatures, melts and becomes fused to the metal.

Like all artists you must start with a good design and good color combinations. You then clean the metal (I use copper most of the time, however I have done a few pieces on steel) be sure you do not get your oily fingers on the metal after the cleaning. Just about all enameling takes at least 3 and usually a lot more firings. The first coat is the counter enamel which is usually the back of the piece. You fire. Again you clean the metal. You then put your first coat on the front. Often this is a clear coat sometimes called flux. You fire again and clean again. Now you are ready for your design and colors. Firing and cleaning between each. If you are lucky it will come out as you imagined it, and sometimes even better.

Article by Pauline D. Higgins